Motherboard bought an FBI "Anom" phone that the agency secretly sells to criminals to monitor their communications. Joseph Cox reports: The sleek, black phone seems perfectly normal. Unlocking the Google Pixel 4a with a PIN code reveals some common apps: Tinder, Instagram, Facebook, Netflix, and even Candy Crush. But none of those apps work, and tapping their icons doesn't do anything. Resetting the phone and typing in another PIN opens up an entirely different section of the device, with a new background and new apps. Now in place of the old apps sit a clock, a calculator, and the device's settings. Clicking the calculator doesn't open a calculator -- it opens a login screen.

"Enter Anom ID" and a password, the screen reads. Hidden in the calculator is a concealed messaging app called Anom, which last month we learned was an FBI honeypot. On Anom, criminals believed they could communicate securely, with the app encrypting their messages. They were wrong: an international group of law enforcement agencies including the FBI were monitoring their messages and announced hundreds of arrests last month. International authorities have held press conferences to tout the operation's success, but have provided few details on how the phones actually functioned.

Motherboard has obtained and analyzed an Anom phone from a source who unknowingly bought one on a classified ads site. On that site, the phone was advertised as just a cheap Android device. But when the person received it, they realized it wasn't an ordinary phone, and after being contacted by Motherboard, found that it contained the secret Anom app. When booting up the phone, it displays a logo for an operating system called "ArcaneOS." Very little information is publicly available on ArcaneOS. It's this detail that has helped lead several people who have ended up with Anom phones to realize something was unusual about their device. Most posts online discussing the operating system appear to be written by people who have recently inadvertently bought an Anom device, and found it doesn't work like an ordinary phone. After the FBI announced the Anom operation, some Anom users have scrambled to get rid of their device, including selling it to unsuspecting people online. The person Motherboard obtained the phone from was in Australia, where authorities initially spread the Anom devices as a pilot before expanding into other countries.

A British right to repair law comes into force today, requiring manufacturers to make spares available to both consumers and third-party repair companies. However, despite claiming to cover "televisions and other electronic displays," the law somehow excludes smartphones and laptops. 9to5Mac reports: The European Union introduced a right to repair law back in March, and the UK agreed prior to Brexit that it would introduce its own version. BBC News reports: "From Thursday, manufacturers will have to make spares available to consumers, with the aim of extending the lifespan of products by up to 10 years, it said [...] The right to repair rules are designed to tackle 'built-in obsolescence' where manufacturers deliberately build appliances to break down after a certain period to encourage consumers to buy new ones. Manufacturers will now be legally obliged to make spare parts available to consumers so appliances can be fixed."

Which? notes that the UK law ensures spares are available for either 7 or 10 years after the discontinuation of a product, but that it only covers four specific consumer product categories (plus some commercial/industrial ones). From the report: "Spare parts will have to be available within two years of an appliance going on sale, and up until either seven or 10 years after the product has been discontinued, depending on the part. Some parts will only be available to professional repairers, while others will be available to everyone, so you can fix it yourself. For now, the right to repair laws only cover: Dishwashers, Washing machines and washer-dryers, Refrigeration appliances, and Televisions and other electronic displays. They also cover non-consumer electronics, such as light sources, electric motors, refrigerators with a direct sales function (eg fridges in supermarkets, vending machines for cold drinks), power transformers and welding equipment. Cookers, hobs, tumble dryers, microwaves or tech such as laptops or smartphones aren't covered."

Patrick Klepek writes via Motherboard: Few role-playing experiences are as beloved as the original Final Fantasy games, which is why Square Enix announcing a new brand it's calling Pixel Remasters for the first six games was greeted with equal parts shock and horror. For every brilliant reinvention, like last year's Final Fantasy 7 Remake, you have these nightmarish updates to classics like Final Fantasy 6 that are so abjectly awful to look at that fans created mods to try and replace the visuals. It's not really clear what Square Enix wants to accomplish with these Pixel Remasters, but what's abundantly clear is that Square Enix intends to revisit the visuals across each 2D game. The new sprites aren't massive departures from the originals, but they're different, and it's led to speculation about whether the company is going to address a longstanding issue with older games being released on fancy new televisions and computer monitors.

I've always loved the way video games looked -- fuzzy and crunchy -- on those humorously heavy and bulky older cathode-ray tube (CRT) TVs that used to populate family rooms. What I didn't know until earlier this year, however, was the science behind it all. It's not just that high-definition displays provide a crisper look at art made in earlier eras of video games, but that art was specifically drawn knowing it would ultimately pipe through a CRT, and when that art is viewed on a modern, non-CRT display, you're actually losing some intended detail. [...] The problem is many people will never experience it in real-life, and so filters and similar technologies are essentially forms of emulation for television tech. More than 705 million CRT TVs have been sold in the United States since 1980, and the vast majority of these environmentally unfriendly devices are in the process of being broken down and recycled. That process will take years. But more practically, nobody is making CRT TVs anymore, and as the existing supply naturally breaks down, it falls to hobbyists to keep them ticking. No great shock to learn that Starkweather isn't a huge fan of Square Enix's approach for the Pixel Remasters, partially because it risks erasing the work of the original artists. One solution that Starkweather proposes is Square Enix spending time on a refined CRT filter.

"Filters are simply filters and they change visuals without having any artistic intention behind," said renowned pixel artist Thomas Feichtmeir. "I have not yet seen any CRT filter implemented in a game which truly simulated a realistic CRT experience." While naive folks like myself learned about CRT through a Twitter account, Feichtmeir had a similar realization years ago. At home, Feichtmeir had a CRT monitor next to an LCD laptop, and as he transferred his dawn pixels from one to the other, it dawned upon him that they looked different. He noticed a similar issue playing games re-released on modern displays. "If you make a piece of pixel art on a LCD and you put it on a CRT," he said, "it's the equivalent of taking one of your articles, putting it through Google Translate and to expect that the other language it comes out [with] will have perfect meaning and grammar. A whole field of 'localization' exists for writing and in the game industry to address those issues." Though Feichtmeir has no specific insight into what Square Enix is or isn't planning for its Pixel Remasters series, watching what's been released gave him pause on the CRT theory. "Considering the couple of screenshots and snippets we saw in the presentation, I would not say any of it really accounts for the gap between CRT and LCDs," he said. "We still can see a lot of techniques which theoretically should stay on a CRT -- like overly dithered textures or just color optimized battle backgrounds. The biggest change are the characters, where they basically removed the volumetric shading in exchange for a dark outlined flat style. In my eyes this just changes the style to something which does not feel close to the original. And I think what a remaster should deliver on is to recreate the feeling how the original game felt."

Big under-the-hood changes are coming to Google's original Nest Hub, even if most users won't ever be aware of what's happening. From a report: Starting today, the open-source Fuchsia OS will start rolling out to first-gen Nest Hub displays, according to 9to5Google. In the works since 2016, Fuchsia will land first on Nest Hub devices enrolled in Google's Preview Program, before arriving more widely on non-Preview Program displays. Don't expect the user experience to change much, though. 9to5Google notes that the look and feel of Fuchsia OS-powered Nest Hubs will be "essentially identical" to what it was before.

OK, so what's the big deal about Fuchsia, then? It's a new, open-source OS that's decidedly not based on the Linux kernel, as Android and Chrome OS are. Instead, Fuchsia is based on Magneta, which (as we described it back in 2016) is "combination microkernel and set of user-space services and hardware drivers" with a "physics based renderer" that can power graphical user interfaces. Because it's an open-source project, Fuchsia's existence has been well publicized over the years, although its purpose has been harder to fathom; "out in the open" yet "shrouded in mystery" is how we aptly put it. With its arrival on the original Nest Hub, Fuchsia is taking its first tentative steps out of the lab and into the hands of actual users, even if those users aren't aware of the new OS.

Snap's new Spectacles glasses are its most ambitious yet. But there's a big catch: you can't buy them. From a report: On Thursday, Snap CEO Evan Spiegel unveiled the company's first true augmented reality glasses, technology that he and rivals like Facebook think will one day be as ubiquitous as mobile phones. A demo showed virtual butterflies fluttering over colorful plants and landing in Spiegel's extended hand. The new Spectacles have dual waveguide displays capable of superimposing AR effects made with Snapchat's software tools. The frame features four built-in microphones, two stereo speakers, and a built-in touchpad. Front-facing cameras help the glasses detect objects and surfaces you're looking at so that graphics more naturally interact with the world around you.

[...] The idea is to encourage a small portion of the 200,000 people who already make AR effects in Snapchat to experiment with creating experiences for the new Spectacles, according to Spiegel. Like the bright yellow vending machines Snap used to sell the first version of Spectacles several years ago, the approach could end up being a clever way to build buzz for the glasses ahead of their wide release. Spiegel has said that AR glasses will take roughly a decade to reach mainstream adoption. "I don't believe the phone is going away," he told The Verge in an interview this week. "I just think that the next generation of Spectacles can help unlock a new way to use AR hands-free, and the ability to really roam around with your eyes looking up at the horizon, out at the world."

After years of seasonal pop-ups, Made by Google is finally opening a retail store for its hardware division. The first physical Google Store will be in Chelsea directly under one of the company's New York City offices. 9to5Google reports: At the Google Store, you'll be able to "browse and buy an extensive selection of products made by Google," including Pixel phones, Nest products, Fitbit devices, and Pixelbooks. You'll also be able to pick up online orders. The company says this is "an important next step in our hardware journey of providing the most helpful experience of Google, wherever and whenever people need it." "Throughout the store, visitors will be able to experience how our products and services work together in a variety of immersive ways, which we're excited to share more about when the doors open."

Besides shopping, there will be product support help from troubleshooting to cracked screen repairs and installations, as well as how-to workshops: "It doesn't matter whether you're a longtime Pixel user, are curious about our Nest displays or want to participate in one of the how-to workshops we'll offer throughout the year -- our team will be able to provide you with help that's specific and personalized to your needs." The first-ever physical Google Store will open this summer, with the company saying it will "explore and experiment with the possibilities of a physical retail space and build upon the experience."

At Google I/O 2021 today, Google confirmed that Android 12 is getting a huge new design. Ars Technica reports: Google calls the new design "Material You," and just like in the leaks, it's a UI that changes colors like a chameleon. For now, this design will only show up in Google Pixels, but Google says it will roll out across the ecosystem to the web, Chrome OS, smart displays, cars, watches, tablets, and every other Google form factor. The new interface is powered by a "color extraction" API that can pull the colors out of your wallpaper and apply them to the UI. This sounds exactly like the Palette API that was introduced in Android 5.0 (along with the original introduction of Material Design), but it's apparently a second swing at the color extraction idea, and Google is heavily using it in the UI now. The demo interfaces featured customized highlight colors, clock faces, widget backgrounds, and more, all matching the color of your wallpaper. Besides new colors, there are also tons of layout changes to the quick settings and notification panel. The first public beta of Android is now available. Google Pixel smartphones as far back as the Pixel 3 are eligible, as well as several devices from device-maker partners, including ASUS and OnePlus.

Apple has patented the ability to deliver 3D content to devices like the iPhone, iPad and Macs without requiring 3D glasses. From a report: The company recently filed a patent with the heading of "Split-screen driving of electronic device displays." And the tech it describes means that flat screens on smartphones and tablets will be able to show an image in 3D without the viewer having to wear any glasses or VR headset. The idea is that iPhone and iPad screen will be able to display two different images simultaneously, in a way that will fool your brain into seeing a three-dimensional image.

Yes, there are already devices that do this, but the patent notes that existing methods are "problematic," stating: "it can be difficult to provide this type of content on a multi-function device such as a smartphone or a tablet without generating visible artifacts such as motion blur, luminance offsets, or other effects which can be unpleasant or even dizzying to a viewer." The rest of the patent application goes into a great deal of depth about how Apple plans to resolve these problems, and create a smooth 3D viewing experience on a flat screen without the need for glasses. This is gets hugely technical, but starts from the notion that the screen switches between left and right sides of an image via alternating pixel rows.

The patent is also quite vague about how this will all work on a practical level. It doesn't state, for example, what angle viewers will need to position their iPhone or iPad at to get the effect. But it does show that Apple is serious about developing this tech, and has put some proper thought into it.

sandbagger shares a report from The Register: FingerprintJS, maker of a browser-fingerprinting library for fraud prevention, on Thursday said it has identified a more dubious fingerprinting technique capable of generating a consistent identifier across different desktop browsers, including the Tor Browser. Konstantin Darutkin, senior software engineer at FingerprintJS, said in a blog post that the company has dubbed the privacy vulnerability "scheme flooding." The name refers to abusing custom URL schemes, which make web links like "skype://" or "slack://" prompt the browser to open the associated application. "The scheme flooding vulnerability allows an attacker to determine which applications you have installed," explains Darutkin. "In order to generate a 32-bit cross-browser device identifier, a website can test a list of 32 popular applications and check if each is installed or not."

Visiting the schemeflood.com site using a desktop (not mobile) browser and clicking on the demo will generate a flood of custom URL scheme requests using a pre-populated list of likely apps. A browser user would typically see a pop-up permission modal window that says something like, "Open Slack.app? A website wants to open this application. [canel] [Open Slack.app]." But in this case, the demo script just cancels if the app is present or reads the error as confirmation of the app's absence. It then displays the icon of the requested app if found, and moves on to its next query. The script uses each app result as a bit to calculate the identifier. The fact that the identifier remains consistent across different browsers means that cross-browser tracking is possible, which violates privacy expectations.

An anonymous reader quotes a report from Gizmodo: Back in 2018, researchers from Brigham Young University demonstrated a device called an Optical Trap Display that used lasers to create free-floating holographic images that don't need a display. That same team is now demonstrating a new technique that allows those holographic images to be animated: goodbye TVs, hello holodecks. Most 3D holograms require a special screen to be displayed, and even then the 3D effect is limited to a small field of view. Images genuinely look like they exist in 3D space, but step to the side and suddenly you see nothing at all. The approach taken by the researchers at Brigham Young University is radically different. Screens are replaced by lasers: an invisible one that manipulates a tiny opaque particle floating in the air, and a visible one that illuminates the particle with different colors as it travels through a pre-defined path, creating what appears to be a floating image to a human observer. Unlike the restricted viewing angle of traditional holograms, an observer can see these free-floating Optical Trap Display images from any angle and can walk all the way around them without the 3D effect disappearing because the floating images are actually drawn in 3D space.

Three years of improving the technology used in the Optical Trap Displays has now allowed the BYU researchers to take the effect to the next step with animations that play out in front of an observer's eyes in real-time. The team demonstrated the amazing effect with tiny recreations of Star Trek spaceships engaged in a mid-air photon torpedo battle (complete with simulated explosions that look like vector animations straight out of Tron) and even miniature versions of Obi-Wan and Darth Vader dueling with glowing lightsabers made from actual lasers. The researchers have even come up with ways to track the movements of a real-life object and make the free-floating holograms appear to interact with its movements, like an animated stick figure character walking across a human finger. Using optical tricks like playing with perspective and parallax motions, the holograms could even be made to appear much larger than they really are when projected in front of a pair of eyes, so there are some potentially interesting applications when it comes to making viable smart glasses.

Long-time Slashdot reader DesertNomad summarizes a report from EE Times: It's been known for a long time that the various Global Navigation Satellite System (GNSS) systems are easily jammed; the more "interesting" problem is the potential to spoof a GNSS signal and by spoofing use that to cause GNSS receivers to determine incorrect positions. The challenge lies in the observation that the navigation messages can be constructed by bad actors on the ground. Work going on for several years now has been to provide crypto signatures that have the potential to authenticate valid transmissions. Current commercial receivers can't take advantage of that, so there may be industry-wide needs to update the receiver devices.
"The vulnerability of the global positioning system, or GPS, is widely acknowledged..." reports EE Times: Spoofing creates all kinds of havoc. For example, it can be used to hijack autonomous vehicles and send them on alternate routes. Spoofing can alter the routes recorded by vehicle monitors, or break geofences used to guard operational areas. It also poses a risk to critical infrastructure, including power, telecommunication and transportation systems. Jan van Hees, business development and marketing director for GNSS receiver maker Septentrio, provided these analogies: "Jamming involves making so much noise that the [satellite signal] disappears. Spoofing is like a phishing attack on the signal."

The U.S. Coast Guard has recently tracked a growing number of high-profile incidents involving GPS interference. For example, the loss of GPS reception in Israeli ports in 2019 left GPS-guided autonomous cranes inoperable, collateral damage from the Syrian civil war. In 2016, more than 20 ships off the Crimean peninsula were thought to be the victim of a GPS spoofing attack which shifted the ships' positions on electronic chart displays to land.
The article recommends real-world auditing, testing, and risk assessment, adding that one pending fix is signal encryption "including a framework called open service navigation message authentication (OSNMA)." The OSNMA anti-spoofing service developed for the European GNSS system, enables secure transmissions from Galileo satellites to encryption-enabled GNSS receivers. In the midst of final testing, OSNMA will soon be available free to users... A secret key on the satellite is used to generate a digital signature. Both the signature and key are appended to navigation data and transmitted to the receiver. OSNMA is designed to be backward-compatible, so that positioning without OSNMA still works.

A potential class-action lawsuit will go forward for Apple's fragile 2016 MacBook Pro display cables. Judge Edward Davila ruled that "Apple should have known that they would fail and yet kept selling them anyhow," reports The Verge. It follows a recently-certified class action lawsuit for the MacBook Pro's infamous butterfly keyboards. From the report: "The court finds that the allegations of pre-release testing in combination with the allegations of substantial customer complaints are sufficient to show that Apple had exclusive knowledge of the alleged defect," the judge wrote. [The issue is] sometimes called the "stage light" issue because of how the cable damage would produce those dark spots.

Part of the flexgate controversy is around how Apple addressed the issue when it first got publicity in late 2018 -- first by silently swapping a new, slightly longer cable into newer MacBooks, and only opening up one of its typical free repair programs months after 15,000 users signed a petition and it was called out in the press. The company's been a lot more responsive with issues ever since, such as with this free battery replacement program for a small number of those 2016 and 2017 MacBook Pro laptops that won't charge anymore. Unlike the butterfly keyboard suit, the flexgate one doesn't appear to be a certified class-action lawsuit yet -- but there are now nine different plaintiffs lined up in this single case, and the judge is inviting them to submit a new amended complaint.

An anonymous reader shares a report from Decrypt about BitClout, an ambitious decentralized social network that tokenizes Twitter personalities. Here's an excerpt from the report: At first glance, BitClout looks and feels like primitive mashup of Twitter and Robinhood, including a stream of messages and buttons to like or share what other people post. Anyone can create a profile and begin participating in the network by providing a phone number. But BitClout has already created 15,000 profiles based on popular Twitter personalities, including ones for Elon Musk and influencers in the cryptocurrency world -- all without asking anyone's permission. Diamondhands [the man behind BitClout who asked for anonymity even though his real identity is well known] says BitClout created the profiles to prevent impostors from creating fake accounts and squatting on them.

Every BitClout account is also tied to a "coin" that rises and falls in value depending on how many people use it. Anyone can follow a given account -- as they would on Twitter or Instagram -- but the coin means they can also own an asset that is hypothetically tied to the person's public reputation. "What you get to do is monetize yourself," says Diamondhands. "All the positive things you put out in the world will cause people to like you and buy your coin. You can monetize pent up enthusiasm for you, and let fans ride the rocket ship with you." BitClout users who feel inclined to being bought and sold in this way can create a profile to earn a portion of the coins associated with their image. In the case of those Twitter personalities whom BitClout already added to the platform, they can claim their profile (and a portion of the coins associated with it) by tweeting that they have joined the network -- a requirement that conveniently provides free marketing for BitClout. [...] A tracking site called BitClout Pulse has already sprung up to track the value of more popular coins.

BitClout's unusual twist on social networking extends beyond adding people without their permission. The project also stands out for its technical operations, which rely on dozens of autonomous blockchain-based nodes scattered around the world -- a very different architecture than Facebook or Twitter, which rely on centralized servers to keep their networks running. Every message or transaction is recorded to BitClout's blockchain, which Diamondhands describes vaguely as custom-built software similar to Bitcoin's, but with greater capacity for social networking functions. He says BitClout's code is open source and the team will soon publish it. All of this, says Diamondhands, will eventually lead to brand-name organizations hosting BitClout nodes that will display feeds tailored to various interests. For instance, he says, ESPN could run a node that displays a feed heavily populated with sports figures, while Politico might do the same with a focus on political leaders. But Bitclout's node structure also means it will lack centralized moderation policies like those found on platforms like Twitter or Facebook. Yes, we're on BitClout: bitclout.com/u/slashdotorg

An anonymous reader shares a report from Motherboard, written by Ben Munster: When you buy an NFT for potentially as much as an actual house, in most cases you're not purchasing an artwork or even an image file. Instead, you are buying a little bit of code that references a piece of media located somewhere else on the internet. This is where the problems begin. Ed Clements is a community manager for OpenSea who fields these kinds of problems daily. In an interview, he explained that digital artworks themselves are not immutably registered "on the blockchain" when a purchase is made. When you buy an artwork, rather, you're "minting" a new cryptographic signature that, when decoded, points to an image hosted elsewhere. This could be a regular website, or it might be the InterPlanetary File System, a large peer-to-peer file storage system.

Clements distinguished between the NFT artwork (the image) and the NFT, which is the little cryptographic signature that actually gets logged. "I use the analogy of OpenSea and similar platforms acting like windows into a gallery where your NFT is hanging," he said. "The platform can close the window whenever they want, but the NFT still exists and it is up to each platform to decide whether or not they want to close their window." [...] "Closing the window" on an NFT isn't difficult. NFTs are rendered visually only on the front-end of a given marketplace, where you see all the images on offer. All the front-end code does is sift through the alphanumeric soup on the blockchain to produce a URL that links to where the image is hosted, or less commonly metadata which describes the image. According to Clement: "the code that finds the information on the blockchain and displays the images and information is simply told, 'don't display this one.'"

An important point to reiterate is that while NFT artworks can be taken down, the NFTs themselves live inside Ethereum. This means that the NFT marketplaces can only interact with and interpret that data, but cannot edit or remove it. As long as the linked image hasn't been removed from its source, an NFT bought on OpenSea could still be viewed on Rarible, SuperRare, or whatever -- they are all just interfaces to the ledger. The kind of suppression detailed by Clements is likely the explanation for many cases of "missing" NFTs, such as one case documented on Reddit when user "elm099" complained that an NFT called "Big Boy Pants" had disappeared from his wallet. In this case, the user could see the NFT transaction logged on the blockchain, but couldn't find the image itself. In the case that an NFT artwork was actually removed at the source, rather than suppressed by a marketplace, then it would not display no matter which website you used. If you saved the image to your phone before it was removed, you could gaze at it while absorbing the aura of a cryptographic signature displayed on a second screen, but that could lessen the already-tenuous connection between NFT and artwork. If you're unable to find a record of the token itself on the Ethereum blockchain, it "has to do with even more arcane Ethereum minutiae," writes Ben Munster via Motherboard. He explains: "NFTs are generally represented by a form of token called the ERC-721. It's just as simple to locate this token's whereabouts as ether (Ethereum's in-house currency) and other tokens such as ERC-20s. The NFT marketplace SuperRare, for instance, sends tokens directly to buyers' wallets, where their movements can be tracked rather easily. The token can then generally be found under the ERC-721 tab. OpenSea, however, has been experimenting with a new new token variant: the ERC-1155, a 'multitoken' that designates collections of NFTs.

This token standard, novel as it is, isn't yet compatible with Etherscan. That means ERC-1155s saved on Ethereum don't show up, even if we know they are on the blockchain because the payments record is there, and the 'smart contracts' which process the sale are designed to fail instantly if the exchange can't be made. [...]"

In closing, Munster writes: "This is all illustrative of a common problem with Ethereum and cryptocurrencies generally, which despite being immutable and unhackable and abstractly perfect can only be taken advantage of via unreliable third-party applications."

The Drive reports on an "unprecedent exercise" which included a Russian nuclear submarine firing a torpedo underneath Arctic ice, which it calls "a bold statement of Russia's presence and capabilities in the increasingly tense Arctic region." Three Russian ballistic missile submarines surfaced next to each other from beneath the ice near the North Pole as part of a recent major Arctic exercise. The head of the country's Navy said that event was a first for his service. It also underscores the growing geopolitical competition in this highly strategic region... A pair of MiG-31 Foxhound interceptors, supported by an Il-78 aerial refueling tanker, also flew over the North Pole and troops have been conducting maneuvers on the ground in extreme cold weather conditions as part of Umka-2021. Average temperatures in the exercise area, at present, are ranging between -13 and -22 degrees Fahrenheit, with winds gusting up to just over 70 miles per hour, according to state-run media outlet TASS....

[A]ll of this is magnified by the ever-increasing strategic significance of the Arctic and growing geopolitical competition there, as a result. Much of this has been driven by the emergence of new economic opportunities as global climate change has caused ice in the region to recede. This has made the prospect of sending commercial shipping via the Northern Sea Route more viable and offers the possibility of greater access to untapped natural resources, including oil and natural gas. Just this week, Russia's state nuclear agency Rosatom has been promoting the Northern Sea Route as an alternative to traditional routes in light of the very serious situation in the Suez Canal...

The Umka-2021 drills come as Russia and the United States, among others, are working to expand their abilities to project military power into the Arctic. Russia has been working particularly hard to build new facilities and expand existing ones, especially air bases, in the region. The U.S. military, in cooperation with Canada, just recently demonstrated its ability to conduct more routine combat aviation operations out of the strategic Thule Air Base in Greenland, as well.
The article notes that U.S. Navy also conducts Ice Exercises each year with submarines surfacing from under Arctic the ice, "though not with ballistic missile boats. However, this particular drill is, nevertheless, a significant show of force and general demonstration of the Russian Navy's strategic capabilities...."

"We're in competition... and to be competitive with Russia and China, specifically in the Arctic, you have to be on the field," said the U.S. Air Force general who heads NORAD in remarks to Congress last week. The Drive quotes him as saying "And, so it's crucial that we do that and we continue producing capabilities that will allow us to be in the Arctic." The Russian Navy sending three ballistic missile submarines punching through the Arctic ice together in a row near the North Pole provides a very clear look at this competition and more such displays are likely to come as the geopolitical friction in the region continues to increase.

An anonymous reader quotes a report from The Verge: YouTube is always running experiments. One of its latest: testing an automated list of products detected in videos uploaded to the site. As of March 22nd this year, that test is being expanded to "people watching videos in the US," according to YouTube. In one of its blogs, a YouTube representative gave a little more detail about how this particular feature will be deployed: "We are experimenting with a new feature that displays a list of products detected in some videos, as well as related products. The feature will appear in between the recommended videos, to viewers scrolling below the video player. The goal is to help people explore more videos and information about those products on YouTube.

Firefox's "Compact density" option, which reduces the size of the user interface, is set to disappear when Mozilla rolls out its Proton visual redesign for the browser later this year. PCMag reports: A bug was posted on Mozilla's bug tracking system entitled "Remove compact mode inside Density menu of customize palette." The reasons given for its removal include the fact it's "currently fairly hard to discover" and "we assume gets low engagement." The development team wants to "make sure that we design defaults that suit most users and we'll be retiring the compact mode for this reason." The Bugzilla thread highlights a desire for compact density to be retained as an option, but it doesn't seem likely to survive right now.

When Proton arrives, the Normal and Touch density options are expected to remain, with Touch increasing the size of the user interface to make it more finger-friendly. Meanwhile, the development team is optimizing the Normal density for displays that use 768 pixels for height, while most displays now use a higher resolution than that. Hopefully this doesn't mean the UI will be larger than it is now by default.

Elon Musk is getting in on the NFT gold rush by selling a new electronic music track he's apparently produced as an NFT. The Verge reports: Yes, you've heard that right -- it's a song about non-fungible tokens, which Musk appears to have minted (or plans to mint) on the blockchain. Musk did not include a link to the NFT, so it's not clear if it's already live or if Musk plans to initiate the sale at a later date. It's also not clear on which platform Musk intends to sell the NFT.

We also don't know if the song has a name, but we have some clues. The looping video attached to the song Musk posted to Twitter on Monday displays the words "Vanity Trophy" orbiting around a golden orb affixed to the top of a literal trophy reading "HODL," short for the phase "hold on for dear life." [...] At various points in the short video, the words along the trophy shift from "computers" to "never sell" while a female vocalist sings lyrics over top like "NFT for your vanity" and "computers never sleep." Did I mention that the trophy also has little gold dogs, or "doges" if you will, rotating around it, too? The techno song drop is appropriate considering Musk named himself the "technoking" of Tesla in a filing with the U.S. Securities and Exchange Commission on Monday. Meanwhile, chief financial officer Zach Kirkhorn's new position is "Master of Coin."

Both Elon and Zach "will also maintain their respective positions as Chief Executive Officer and Chief Financial Officer," the filing concludes.

According to Bloomberg, Nintendo is planning to unveil a model of its Switch gaming console equipped with a bigger Samsung OLED display and support for 4K. It's expected to arrive before Christmas. From the report: Samsung Display Co. will start mass production of 7-inch, 720p-resolution OLED panels as early as June with an initial monthly target of just under a million units. The displays are slated for shipment to assemblers around July. The gaming community has speculated online about the introduction of an OLED or organic light-emitting diode screen, but Nintendo has stayed mum and President Shuntaro Furukawa said in February his company has no plans to announce a new Switch "anytime soon." Samsung's involvement is the strongest indication that Nintendo is serious about updating the console, and on a large scale.

Nintendo decided to go with rigid OLED panels for the new model, the people said, a cheaper but less flexible alternative to the type commonly used for high-end smartphones. The latest model will also come with 4K ultra-high definition graphics when paired with TVs, they said. That could intensify a longstanding complaint of developers, who have struggled with the difference in resolution between handheld and TV modes and now face a bigger gap between the two.

Netflix today launched Fast Laughs, a new feature for its mobile apps that presents a string of comedy clips from its stand-up specials, TV series and movies. From a report: Netflix's Fast Laughs displays full-screen vertical video in an auto-playing feed, borrowing a page from apps likes TikTok, and lets users share their favorite bits with friends and social media. The company says the section will provide up to 100 curated clips per day. The main goal, obviously, is to nail up yet another entry point for Netflix subs to find new content to binge on.

Fast Laughs lets you add specific titles to your Netflix watch list or click to start watching a program immediately. But Netflix also built Fast Laughs as a destination unto itself to watch entertaining moments on-the-go, calling to mind a key idea of now-defunct startup Quibi. You can just lean back and watch the jokes fly in a scrolling montage. The length of each video segment will vary, as short as around 15 seconds and up to 45 seconds or even longer.